As the Project moves into its next phase, it will be maintained by an Advisory Board made up of Project alumni. They will maintain Chercher by accessing and integrating new materials, in addition to managing project outreach. We are pleased to formally introduce our inaugural members:

Patrick Bixby is Professor of English in the NewCollege of Interdisciplinary Arts and Sciences at Arizona State University, as well as resident director of the USAC summer school program at NUI Galway and president of the Samuel Beckett Society. While a student at Emory University, he served as a graduate fellow and assistant to the editors for The Letters of Samuel Beckett.

With Seán Kennedy, Dr. Bixby also edited a special issue of the Journal of Beckett Studies titled “(Dis) Embodied Beckett” in 2018. His additional editorial work includes Unaccompanied Traveler: The Writings of Kathleen M. Murphy (Syracuse UP, 2022); and two volumes with Gregory Castle, A History of Irish Modernism (Cambridge UP,  2019) and Standish O'Grady's Cuculain (Syracuse UP, 2016).

Dr. Bixby has recently published two new monographs: Nietzsche and Irish Modernism (Manchester UP, 2022) and License to Travel: A Cultural History of the Passport (U of California P, 2022). He is currently researching a new book project on Beckett and utopia.

Julie Gaillard is an assistant professor of French at the University of Illinois at Urbana-Champaign. Her research and teaching focus on 20^th and 21^st French literature, culture and thought. I am the author of Réalités pseudonymes (Brill Rodopi, 2020), and a co-editor of Traversals of Affect: On Jean-François Lyotard (Bloomsbury, 2016). Her monograph analyzes works by authors and artists who bring to the fore proper names and introduce disturbances in their referential mechanisms, in order to show how "reality" is constituted and how it can be faked, transformed or suspended. Chapter I analyzes Samuel Beckett’s uses of proper names in Watt, The Unnamable, Footfalls, and Rough for Radio.

Julie collaborated with the Samuel Beckett Letters project in 2014-2015 while she completed research in German archives.

Kevin Lucas holds a Ph.D. in comparative literature from Emory University. During his Ph.D. at Emory, Lucas performed research and editorial work for the publication of Volumes 3 and 4 of Beckett's Letters. As the Beckett Letters transitioned from book to digital access project, Lucas continued his work, learning new skills through collaboration with the Emory Center of Digital Scholarship.

Currently, he is a Marion L. Brittain Postdoctoral Fellow at Georgia Institute of Technology, where he teaches in the Writing and Communication Program. Before arriving at Georgia Tech, he served as a lecturer in the Department of English and World Languages at Augusta University, teaching first-year writing, world literature, and interdisciplinary humanities.

A scholar of twentieth-century literature and thought, Lucas has published on a variety of figures including Ralph Ellison, Maxim Gorky, Jean Genet, and Samuel Beckett. His work has been featured in journals (Religion and the Arts and Textual Practice) and collected volumes (Text and Presentation and Connections and Influence in the Russian and American Short Story). Lucas has presented at major international conferences, including MLA and ACLA.

Derval Tubridy is Professor in Literature and Visual Culture at Goldsmiths, University of London. Author of Thomas Kinsella: The Peppercanister Poems (UCD Press 2001) and Samuel Beckett and the Language of Subjectivity (Cambridge University Press, 2018) she has published extensively on Modernism and Irish Studies with a focus on literature, the visual arts, and performance at the intersection between language, materiality and process. Her creative practice includes poetry, printmaking and painting.

A former Dean of the Graduate School she has served on Council and Academic Board, as well of the boards of AHRC and ESRC funded doctoral training consortia. Her research has been funded by the Fulbright Commission, the British Council, and the Arts and Humanities Research Council. She is co-convener of the London Beckett Seminar at the Centre for Comparative Literature at Goldsmiths and the School of Advanced Study, University of London, and is Chair of the British Association for Irish Studies.

While a PhD student at Trinity College Dublin, Derval worked as a researcher for The Letters of Samuel Beckett project, and spent a formative year as a graduate student in Emory’s Department of French and Italian under the direction of Professor Dalia Judovitz through the generous support of the Dean of the Graduate School. She gained further experience of archival research with Professor Lois Overbeck on The Letters, and also at Special Collections, where she assisted with Irish Poetry archive, particularly the Thomas Kinsella and Medhbh McGuckian collections.

Jason B. Jones was a graduate fellow with the Beckett Project from 1998-2002, when he received his PhD from Emory in English and Psychoanalytic Studies.

He is now the Assistant Director, Teaching & Learning with Technology at Northeastern University in Boston, Massachusetts.

Previously he has been the academic accreditation specialist at Woolf, an edtech software startup and global collegiate higher education institution; director of Research, Instruction, Technology in the Library & Information Technology Services division of Trinity College (Hartford); and a professor of Victorian literature at Central Connecticut State University.

He is the author of Lost Causes: Historical Consciousness in Victorian Literature (Ohio State University Press, 2006) and the co-founding editor of ProfHacker at the Chronicle of Higher Education.

He lives in Connecticut with Aimee Pozorski (Emory PhD 2003) and their dogs Finn and Beckett. Their son Eliot is a student-athlete at Stanford University.

‘There was so much to share’: A salute to ‘The Letters of Samuel Beckett’ project

By Susan M. Carini 04G Oct. 11, 2023

A look back at some very fresh faces — alumni and faculty hard at work on the Beckett Letters project in 1996. Shown are (standing, l to r) Patrick Wheeler 97PhD, Karen Brown-Wheeler 04PhD, faculty member Lois Overbeck, Laura Barlament 01PhD, Paul Linden 03PhD, Jennifer Poulos Nesbitt 99PhD, Brian Cliff 01PhD; (kneeling, l to r) Derval Tubridy 96G and Trinity College Dublin 97PhD, Miriam Chirico 98PhD.

Read the article here.

Recorded live at Emory University's Woodruff Library, 21st September 2023.

September events celebrate culminating achievement of ‘The Letters of Samuel Beckett’ project

By Susan M. Carini 04G Sept. 7, 2023

An index — done right — is a wonderful playground where one can explore answers to myriad questions, basking in the material as long as one likes.

Imagine the possibilities when the subject in question is Irish-born writer Samuel Beckett (1906-1989) who, says The Guardian, is “often recalled as the lonely genius of modernism” but was also a “convivial friend and collaborator.” In the correspondence Beckett carried on with a wide circle of associates throughout his life, as the Sydney Review of Books noted, “there is hardly any public posturing here but rather an increasing self-eschewal on facing fame.”

Read the rest of the article here.

Samuel Beckett wrote each of his letters to an audience of one. This readership has greatly expanded with publication of the four volumes of The Letters of Samuel Beckett (Cambridge University Press, 2009-2016), and the translation of these into German, French, Italian, and Chinese. And still, only about 2500 of Beckett’s more than 16,000 letters have been published.

The Interactive Index to the Letters of Samuel Beckett in Public Archives, developed with the Emory Center for Digital Scholarship, democratizes access to the letters held in archives around the world. Its purpose is to facilitate research and to encourage discovery. Chercher alludes both to the opening of a letter (“Cher ami)” and to the French term meaning “to seek.”

The Interactive Index Project builds on the research done for The Letters of Samuel Beckett at Emory University. It incorporates the Location Register of the Letters of Samuel Beckett in Public Archives developed in collaboration with public archives. The Location Register gives archival identification and descriptions (recipient, physical description, sender and recipient addresses, language, repository, collection, and previous publication).

The Interactive Index goes a step further by providing rich and nuanced metadata from the contexts of each letter. Indexed content includes persons, places, organizations, productions, and publications, as well as Beckett’s writing, translating, and reading. It also notes his attendance at public events (from tennis to recitals); this includes virtual attendance (recordings, radio, and television). The index also includes mentions in his letters of works of art, music, and global events. Faceted searches allow for refinement and invite the user to discover patterns and inter-relationships in the searchable datasets.

Context is provided with timelines of Beckett’s life and works (1906-1989), and global events. Major figures have biographical profiles with a capsule history of their relationship with the author. Filmed interviews bring faces and voices of recipients to the historical record. Links are given to the Beckett Digital Manuscript Project and Staging Beckett, museum and theater websites, as well as standard references (viafs, geonames).

Lois Overbeck, director of the project, said: “The purpose of Chercher is to stimulate, not replace, reading of the letters in context. The curated database opens fields of inquiry organically from Beckett’s letters. Only letters in public archives are included in the metadata, but new letters or letters currently in private collections are prepared for inclusion when these become accessible in a public archive."

We welcome you to discover Chercher after its public launch on September 21st, 2023.

The Chinese translation of The Letters of Samuel Beckett (Vol. 2) has now been released in 2 volumes. It was translated primarily by Prof. Zhang Helong of Shanghai International Studies University, assisted by 3 of his colleagues.

The Samuel Beckett Letters Project is 30-plus-year research endeavor to locate, transcribe and annotate all extant letters written by Irish writer Samuel Beckett. Led by project director Lois Overbeck in the Laney Graduate School, it has resulted in the publication of four volumes of selected letters (Cambridge University Press, 2009-2016).

Following this publication, Overbeck’s team began collaborating with the library to create the Location Register which provides archival location and letter metadata for each item in public archives and with the Emory Center for Digital Scholarship (ECDS) to develop the Interactive Index website which curates searchable data from all Beckett letters in public archives.

With the launch of Chercher, The Letters of Samuel Beckett has entered the final phase of its project to make Beckett’s letters in public archives accessible to future scholars, students, and interested readers.

Just as Beckett’s letters offer a rich context for the events of the 20th century to many fields of inquiry, so the metadata of Chercher opens the door to Beckett’s life and works for digital humanities initiatives.

Emory students have played a significant role in establishing this unique resource, and have gained invaluable research skills by working with the editors of the project. They will carry on the legacy by forming The Advisory Board to maintain the website.

We invite your gifts to support this work as it continues to incorporate new letters as they are added to public archives. Gifts can be made online here. For more information about supporting the project, please contact Philip Brooks, Lead Director of Development at philip.brooks@emory.edu or (678) 801-5909.

The Chinese translation of the first volume of The Letters of Samuel Beckett has been published in two volumes in Dec. 2021 by Hunan Literature and Art Publishing House (HLAPH), Changsha City, the People’s Republic of China. The Chinese translation is the first version rendered outside of Western Europe.  

The translator Bo Cao, a professor of English literature at Hunan Normal University in Changsha, began his work in 2015. As a visiting scholar at Emory University in 2019, sponsored by China Scholarship Council, he refined his translation under the guidance of the Director of The Letters of Samuel Beckett Project at Emory, Dr. Lois More Overbeck. She is one of the editors of the original edition of The Letters of Samuel Beckett published in four volumes by Cambridge University Press (2009-2016). The Beckett Letters project is based in the English Department of Emory University.  

Beckett’s letters from 1929-1940 present Beckett as a young writer who is growing in “sound and fury.” His letters are replete with colloquial phrases, local references, foreign languages, and even neologisms and word games. Translation also included the editorial prefaces and rigorous notes, which the editors strove to make value neutral and approachable for a world-wide readership. As a veteran translator, Bo Cao is both faithful to Samuel Beckett many voices in the letters and to the editorial contexts, while also considering how to make the letters accessible to Chinese readers – a task that is both linguistic and cultural.

Since 2005, Cao has been writing about Samuel Beckett and translating his works, including Murphy (2012), Watt (2012), More Pricks Thank Kicks (2016) as well as an edition of occasional pieces, Disjecta (2016). To be better prepared, he went to Trinity College Dublin in 2011 to further his studies under the supervision of Prof. Ian Ross. He was interested in the teaching of Irish Studies in United States and spent some time consulting with Dr. Geraldine Higgins, Director of the Irish Studies Program at Emory. Well-trained for the translation of The Letters, Cao has put to full use his knowledge of Samuel Beckett, western European culture, and both languages.

While at Emory in 2019, he presented a study of the Chinese reception of Samuel Beckett’s work, for a colloquia series on translation at the Center for Humanistic Inquiry: “The Chinese Translation of Samuel Beckett: A Critical History” (Irish University Review 51.2, November 2021). He gave that talk in Chinese at the Chinese Flagship Program, Indiana University (Bloomington), and presented it in English with a paper, “The Chinese Translation of a Samuel Beckett Letter,” at a symposium at Washington University of St. Louis. Also in 2019, he prepared a study of Beckett’s awareness of Chinese culture: “Terms of Chinese Culture in Samuel Beckett’s Dream of Fair to Middling Women and their (Re- /Back) Translations.”

The progress of the Chinese translations of Samuel Beckett’s work since the turn of the twentieth-century “mirrors both the re-evaluation of Beckett as an innovative artist and the ‘inward turn’ of Chinese intellectual circles,” writes Cao. The Chinese version of The Letters is “the heroic conclusion of Samuel Beckett’s reception in China, which began reproachfully with the publication of Waiting for Godot in 1965 by China Theatre Press, and reached its climax with the Chinese translation of the Complete Works of Samuel Beckett, in 22 volumes, by HLAPH.

To Cao, the Chinese translation is also a mark of the constructive cooperation in the international SB community. His stay at Emory opened for him a second window on Samuel Beckett and Irish studies outside of Ireland. In July 2021, he published some conclusions drawn from his talks with Lois Overbeck: “Recent Trends of Samuel. Beckett Studies” Foreign Language and Literature, a journal of Sichuan International Studies University in Chongqing City of China.

Translations are underway of the following three volumes of The Letters of Samuel Beckett, from 1941 to 1989, each undertaken by a different translator. The balance of the Chinese edition is expected to be published by 2023. It will join the German (Suhrkamp) French, (Gallimard), and Italian (Adelphi) translations of the edition. “Beckett’s correspondents and consequently his letters can be found in archives all over the world,” says Lois Overbeck, so it is both appropriate and exciting that the edition of his letters has reached such a wide audience.”

The award will be applied to confirmation of the letters of Samuel Beckett in European and non-western archives. It is expected to be completed by 30 June 2022.

The Letters of Samuel Beckett Project is grateful for this continued support that will serve archives and future scholarship.

Editing Modernist Letters: A Roundtable discussion
Editors of The Collected Letters of Ford Maddox Ford

Scott McCracken, editor of Dorothy Richardson’s letters
Sandra Spanier, editor of Kay Boyle: A Twentieth-Century Life in Letters, and The Letters of Ernst
      Hemingway and Editor of the Letters of Kay Boyle,
Lois Overbeck, an editor of the Letters of Samuel Beckett
Editing Modernist Letters - video.mp4 - OneDrive (live.com)

 

Samuel Beckett, Lettere, II, 1941 – 1956