Buchi Emecheta


Biography

On July 21, 1944 in Yaba near Lagos, Nigeria, Buchi Emecheta was born to Jeremy Nwabudike and Alice Okwuekwu Emecheta. At a young age, Emecheta was orphaned and she spent her early childhood years being educated at a missionary school. In 1960, at the age of sixteen, Emecheta was married to Sylvester Onwordi, a student to whom she had been engaged since she was eleven. After their marriage, Sylvester and Buchi moved to London. Over the course of her six year marriage, Emecheta gave birth to five children.


Major Themes

Buchi Emecheta's works deal with the portrayal of the African woman. The main characters of her novels show what it means to be a woman and a mother in Nigerian society. Emecheta looks at how sexuality and the ability to bear children can sometimes be the only way by which to define femininity and womanhood.

Major Works

In the Ditch, published in 1972, tells the story of Emecheta's life after she leaves her husband and is living on her own with her children in a poor ghetto area. She supports her children by working in a library at the British Museum. In the Ditch chronicles Emecheta's life in the personage of the main character, Adah. Adah is forced to live in an housing estate set aside for problem families. This estate is known as Pussy Cat Mansions and it is a place filled with women. Adah can not identify with the women of Pussy Cat Mansions and her dignity is wounded because of the charity she is forced to accept. The main focus of the novel is on the importance of initiative and determination, for these are the only tools which help Adah get out to the ditch.

In Emecheta's second novel, Second Class Citizen, Adah is being denied a Western education because she is a girl. This novel again characterizes Adah as having the initiative and determination to get what she wants - the Western education being denied to her. The basic theme of Second Class Citizen is one of vehement animosity at the gender discrimination that is often found in the culture of her people. Adah is also encumbered because of the gender discrimination that is the foundation of her marriage. Her husband, Francis, treats her as property. Adah is forced to support the family and is responsible for the children. In the meanwhile, Francis goes to school, studies, and continuously fails exams. Adah is in constant battle to try to preserve her womanhood, and when she finally leaves Francis she experiences a strong sense of relief. After leaving Francis, Adah has moments of loneliness and despair but in the end she comes out triumphant because of her willpower.

One of Emecheta's finest novels, The Joys of Motherhood, is set in a time of great political and economic change for Nigeria. It is in this novel that Emecheta's main character defines validity of her womanhood solely by the success of her children. The chapter titles, "The Mother," "The Mother's Mother," "The Mother's Early Life," "First Shock of Motherhood," etc., follow the highs and lows of the heroine, Nnu Ego's, destiny. Nnu Ego's whole destiny is centered around her as a mother. Nnu Ego places all her hope for happiness and prosperity in her children, yet she is constantly disappointed. As a result, Nnu Ego finds no joy in her grown children.

Emecheta's 1986 novel, Head Above Water, continues to describe her struggle to raise her family all alone. Adah finds jobs to support her family, gains a degree in sociology, and still manages to find time to write. Head Above Water looks at the social conditions of blacks in London and it shows Emecheta's progression as a novelist. The novel ends with two monumental accomplishments - the purchase of her own house and her becoming a full-time writer.


Other Works

The Bride Price, 1976
The Slave Girl, 1977
Titch the Cat, 1979
Nowhere to Play, 1980
The Moonlight Bride, 1980
The Wrestling Match, 1980
On Our Freedom, 1981
Destination Biafra, 1982
Naira Power, 1982
Double Yoke, 1982
The Rape of Shavi, 1983
Adah's Story, 1983
A Kind of Marriage, 1986
Family Bargain, 1987
Gwendolen, 1990


Works Cited

Anthony, Barthelemy. "Western Time, African Lives : Time in the Novels of Buchi Emecheta." Callaloo 12.3 (1989) :559-574.

Bruner, Charlotte, and David Bruner. "Buchi Emecheta and Maryse Conde : Contemporary Writing from Africa and the Caribbean." World Literature Today 59(1985) : 9-13.

Jahn, Janhenz. Who's Who in African Literature. Eerdman (1972) : 209-211.

Popkin, Michael, ed. Modern Black Writers. Ungar 1978.

Umeh, Marie, "African Women in Transition in the Novels of Buchi Emecheta." Presence Africane 116 (1980) : 190-201.


Related Sites


Author: Benecia L. Williams, Fall 1997 (bwill10@emory.edu)

Links within this site

Postcolonial Studies at Emory

 Introduction Authors Theorists Terms & Issues

(Image of an "Homme Carrefour" from Donald J. Cosentino's Sacred Arts of Haitian Vodou [Los Angeles: UCLA Fowler Museum of Cultural History, 1995].)